Ralph Lauren Fashion Show February 7 2019

New York Fashion Week begins with throwback dressing and breakfast at Ralph's.

Backstage at the Tom Ford fall 2019 fashion show at the Park Avenue Armory.

Credit... Vincent Tullo for The New York Times

Yous've got to manus it to Tom Ford: He knows how to spin familiarity.

That sharp ruby velvet jacket on his autumn 2019 rails — the one that, for those who remembered, acted like a rip in the space-time continuum, sending them correct dorsum to the ruby velvet Gucci conform Gwyneth Paltrow wore to the 1996 MTV Video Music Awards? Those unbuttoned silk shirts in Charles James tones that were like (Hello!) Madonna in a blue satin Gucci shirt at the 1995 VMAs? Those slinky jersey gowns with disproportionate necklines and peekaboo backs, the sides held together by draped chains, that seemed so much like the white jersey gown with gold hardware that Georgina Grenville fabricated famous in a 1996 Gucci ad?

"Of grade I am referencing a lot of my own collections," Mr. Ford said backstage after the show, perched on a blackness velvet couch in front end of a tabular array sprouting a vase of white orchids in a spare room of the Park Avenue Arsenal dominated past a giant portrait of George Washington. "But that's who I am. Yous get to a certain historic period and y'all say: 'This is but my mode. This is what I exercise.'"

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Credit... Vincent Tullo for The New York Times

Besides, he said, "I've been feeling actually agitated considering of what'due south going on in the world so I retrieve habiliment now should but be nonaggressive and beautiful." Information technology's 1 way to duck the pressure of the shock of the new.

And then much of the talk these days is of millennials and Gen Z and how much everyone is trying to appeal to their evolving tastes and how they have changed the confront of retail and restaurants and human interaction (and killed napkins and textile softener and so forth and so on).

But in that location has been a respective trend toward embracing those with experience — nice euphemism if I've always heard one — whether it's the accomplice of over-70s who may run for president or Glenn Close sweeping up best actress awards.

At that place's no reason way, an industry predicated on sensing and embracing trends, should be whatsoever different.

So every bit the New York shows began the monthlong run through ready-to-wear collections that volition terminate in Paris in March, it was Mr. Ford and Ralph Lauren, who have approximately 80 years of combined experience in the industry, who ready the tone. Which was, effectively, sartorial comfort food for clients d'united nations certain âge. Or at least a certain nostalgia.

At that place's a reason Mr. Ford's soundtrack featured the song "Stayin' Alive."

Against that properties came largely an ode to trousers — pleated, jewel toned, with room at the thigh and a gage at the ankle — and large teddy deport furs (some simulated, some not) with equally squishy tilted fur fedoras (all fake) tossed on top, similar a chichi stuffed toy for the head. In betwixt were layers of slinky shirts or hoodies and jackets.

There was a pencil skirt or two, in jersey, with a zipper upwards 1 leg that could be undone to bear witness an insert of silk, mixed in with Mr. Ford's usual men's habiliment silhouettes emphasizing the shoulder and waist, but they were almost an afterthought. At nighttime, those slinky jersey dresses were all shown with cardigans.

Cardigans? As in grampa?

Not exactly. These versions were also jersey and often left hanging off the elbows and trailing on the ground, so they seemed more like purple robes than Mr. Rogers. But still. Cardigans. This may be where nosotros are at present.

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Credit... Landon Nordeman for The New York Times

It was certainly where Mr. Lauren was. After his blowout 50-years-in-business-extravaganza in Cardinal Park final season, he scaled things dorsum and invited anybody in for coffee and mini-croissants at Ralph's, the new cafe in his Madison Avenue store, with a side of blackness, white and gold dressing. (Mr. Lauren, one of the few designers who still adheres to a see now/buy now schedule, was showing his bound collection.)

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Credit... Landon Nordeman for The New York Times

As the guests sat at marble-topped chophouse tables, models erstwhile and new swanned downwards the wrought iron stairs and swished between the chairs, doing piddling twirls every once in a while in the mode of a midcentury department store show. That was also kind of the mode of the dress: a black sequined polo shirt evening gown; white palazzo pants with a white naval blazer; sparkling striped knits and a lot of gold Oscars gowns, including a Ginger Rogers dance clothes entirely in the old Ralph groove.

And it'southward where Rachel Comey, returning to New York after some dallying in California, was — although she's more Gen X than boomer, and her particular make of swaddling wearing apparel have less to do with throwback Thursdays than a kind of thrown-together cool; a non-neurotic wardrobe for a neurotic person.

She chosen her prove a "casual Rachel Comey runway," and information technology was, with an orange pilled T-shirt sweater tucked into a thick hot pink skirt with a paper-bag waist, and a paillette-strewn top falling off 1 shoulder paired with quilted baby blue duvet pants. It'southward the side by side best thing to pulling the blanket over your caput.

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